View into the exhibition »Ode aus Japan«, here with works by Renate Hampke (left), Ursula Sax (felt tip drawings), Teppei Miyaki (vessel sculpture), Mayako Kubo (notation of her composition »Dear morning glory«, which was performed during the opening by soprano Miho Kinoshita), the wood sculpture by Takayuki Daikoku and the large drawing by Kazuki Nakahara (Courtesy by Galerie Inga Kondeyne); photo: Eric Tschernow.
View into the exhibition »Ode aus Japan«, here with works by Hitomi Uchikura (left), Taijoh Mori (white work), Ken’ichiro Taniguchi (yellow wall work), Cornelia Nagel (Raku ceramics), Takayuki Daikoku (»Folded Drawing«) and the installation work at the center, as well as the wall vessel sculpture by Tomoyuki Ueno (Courtesy by Galerie Martin Mertens); photo: Eric Tschernow.
View into the Schaulager towards the Garten-Salon with »renmen (outdoor)« (photo) by Takayuki Daikoku, the untitled drawing by Kazuki Nakahara (Courtesy by Galerie Inga Kondeyne) and a small »Lumière« work by Hitomi Uchikura; photo: Eric Tschernow.
Schaulager wall with works by Takayuki Daikoku, Hitomi Uchikura, Renate Hampke and Ursula Sax (ceramic work); photo: Eric Tschernow.
View at Garten-Salon with »Ode aus Japan« by Renate Hampke (left), »Flügel« by Takayuki Daikoku (wood sculpture), »Shape of Berlin City, Germany No. 2/5« and »Kimitsu Sand Vessel« by Teppei Miyaki; Foto: Eric Tschernow
View from Garten-Salon towards KioskShop berlin (KSb) with «Finger drawing« and »City Study for Berlin, Germany #1« (suspended sculpture) by Ken’ichiro Taniguchi, »Ode aus Japan« by Renate Hampke and »Flügel« by Takayuki Daikoku ; Foto: Eric Tschernow
Top left: »Dead Tree Hanging Vase #3« bx Tomoyuki Ueno (Courtesy by Galerie Martin Mertens, »Mirage 2023-2« by Hitomi Uchikura and »O.T.« by Taiyoh Mori; Foto: Eric Tschernow
»City Study for Berlin, Germany #1« by Ken’ichiro Taniguchi at KioskShop berlin (KSb). In the counter vitrine: hand-turned, gold-plated porcelain vessels by Uli Aigner; Foto: Eric Tschernow
»City Study for Berlin, Germany #1« by Ken’ichiro Taniguchi at KioskShop. In the counter vitrine: ceramic works by Tomoyuki Ueno, various »Knoten« objects by Renate Hampke and hand-turned, gold-plated porcelain vessels by Uli Aigner; in the window display: edition embroidery work on paper by Ute Essig); Foto: Eric Tschernow
Ode aus Japan (30.1. – 21.3.2026)
mit Werken | with works by Takayuki Daikoku, Renate Hampke, Mayako Kubo, Taiyoh Mori, Teppei Miyaki, Cornelia Nagel, Kazuki Nakahara, Ursula Sax, Ken’ichiro Taniguchi, Hitomi Uchikura and Tomoyuki Ueno
Tagesspiegel-Artikel von Lisa Maria Scharf (6.2.2026)
OPEN SUNDAY: March 15, 3 pm
Guided Tour & Saxophone performance by Lucija Bozic
(featuring Ryo Noda’s »Improvisation I« and Karen Tanaka’s »Night Bird«
WEDNESDAY, MARCH 18: gallery is closed
Eröffnung | opening: Thursday, 29.1., 7 – 9.30 pm
19.30 Uhr: Einführung durch | introduction by Semjon H. N. Semjon
20.00 Uhr: Miho Kinoshita (Gesang) von einer für die Ausstellung von Mayako Kubo
verfassten kurzen Komposition | Miho Kinoshita (vocals) from a short composition for the exhibition by Mayako Kubo
Video während der Eröffnung von Sae Esashi-Schild von der Aufführung von »Liebe Prunkwinde«
nach einem eigens für die Ausstellung von Mayako Kubo komponierten Musikstück durch Miho Kinoshita |
Video by Sae Esashi-Schild from the performance of »Liebe Prunkwinde« (Dear Morning Glory)
based on a composition realized especially for the exhibition by Mayako Kubo and performed by Miho Kinoshita.
