Salon Cabinet
7.9. – 13.10.2012

Left side, edge gated: photo cut Revolution Abstraction (Susanne Pomrehn); wall object behind: Ohne Titel (Renate Hampke); rear wall, left: O. T. (9/2012) Dittmar Krüger; below: edition work (porcelain):Stapel (Ute Essig); sculpture: hoi polloi (005.2) (Michael Kutschbach); painting, right wall, rear: Explorer(Marc von der Hocht); in front: Meinau Nr. 3 and 4 (Henrik U. Müller); edge gated: Assistent (Nataly Hocke), photo: H. N. Semjon

Experimental Photography: Meinau Nr. 3 and 4 (Henrik U. Müller), right above: Körper 2 (Katja Kollowa); below: Assistent(Nataly Hocke); in front, right: hoi polloi (005.2) (Michael Kutschbach); behind: Miramar (Colin Ardley), photo: H. N. Semjon

Assistent (Nataly Hocke) 2011, 91,5 x 91,5 x 21 cm, wood, archive boxes, glass, paint, photo: H. N. Semjon

O. T. (Meinau 1) (Henrik U. Müller) 2012, 54 x 39 cm, Wood laquer varnish, inkjet prints, self-adhesive foil, composition gold, photo: Jürgen Baumann

Miramar (L.A.) (Colin Ardley) 2010, 42 x 64 x 12 cm (framed), wood, carton, acrylic cover, photo: Jürgen Baumann

Left: Ohne Titel (Renate Hampke); right: O. T. (9/2012)Dittmar Krüger; below: porcelain edition work: Stapel/Pile (Ute Essig), photo: H. N. Semjon

Left edge gated: Explorer (Marc von der Hocht); next right: experimental photography: Meinau Nr. and4 (Henrik U. Müller), right above: Körper 2 (Katja Kollowa); below: Assistent (Nataly Hocke); far right:Miramar (Colin Ardley), photo: H. N. Semjon

Explorer (Marc von der Hocht) 2012, 180 x 140 cm, Enamel varnish and oil on cotton, photo: Marc von der Hocht

Left photo cut: Revolution Abstraction (Susanne Pomrehn); next wall object: Ohne Titel (Renate Hampke); left front wall: O. T. (9/2012) Dittmar Krüger; below porcelain edition work: Stapel/Pile (Ute Essig), photo: H. N. Semjon

Revolution Abstraction (Susanne Pomrehn), 2011, 152,7 x 308,4 cm (framed), tape, photo prints (20 x 30 cm), Image source: internet press, photo: Susanne Pomrehn

Bronze sculpture: hoi polloi (005.2) (Michael Kutschbach); photo cut: Revolution Abstraction (Susanne Pomrehn), 2011, 152,7 x 308,4 cm (framed), tape, photo prints (20 x 30 cm), Image source: internet press, photo H. N. Semjon

Wanll object O.T. (Renate Hampke) 2012, 60 x 85 cm, bicycle tubes, soaps, wire straps, photo: H. N. Semjon

Felgenkranz / Wheel rim corona (Renate Hampke) 2012, 47 x 40 x 40 cm, Wheel rim, bicycle tube, wire strap, screw, photo: Jürgen Baumann

Small Cabinet, left wall: Trilogieverteilung (Nataly Hocke); right wall, top left: O.T. (#646) (Dirk Rathke); top right: O. T. (114/09) Dittmar Krüger; center bloc, top left drawing: O. T.(Karina Spechter); below: Die Existenz des Weißen und Schwarzen Nr. 3 (Takayuki Daikoku; next right: drawing in silver frame: nubigene (009) (Michael Kutschbach); collage next right: Flip (Marc von der Hocht); above at center:Abwesenheitsnotiz (Hermes Payrhuber); right large work (photogram), La face cacheé des choses (Gerda Schütte); bottom row: left Shaped (Marc von der Hocht); next right: gallery edition: Gelenkter Zufall Nr. 6/25 (Susanne Knaack); wall object next right: Betonfleck (Katja Kollowa); last work:Red Alert (Marc von der Hocht), photo: H. N. Semjon

Rear left: Afrikana (Renate Hampke); in front on he table: Middler (Marc von der Hocht), at sliding door:Kopf 001 (Harald Kohlmetz); stair string, edge gated, photo cut: Unfolded Moment No. 1 (Susanne Pomrehn); painting right above: O.T. (#642) (Dirk Rathke); stitch work below: Berliner Parkett (Ute Essig), photo: H. N. Semjon

Kopf (001), (Harald Kohlmetz), 2012, 80 x 80, oil on canvas, photo: Jürgen Baumann

Kopf (001), (Harald Kohlmetz), detail, Foto: Jürgen Baumann

Top: Sag mir wo/Tell me where (Karina Spechter); painting:Cricket (Marc von der Hocht), photo: H. N. Semjon

Cricket (Marc von der Hocht), 2012, 140 x 120 cm, enamel varnish and oil on cotton, photo: Marc von der Hocht

Left: 3 sqm Berlin (antique gold) (Ute Essig), 2005, 300 x 100 x 10 cm Limoge ceramic, glazing (antique gold), stained wood; next right: The Small White (Ute Essig), 2005, 39 x 21,5 x 2,5 cm, Limoge ceramic, sprayed und glazed, photo H. N. Semjon

The Small White (Ute Essig), 2005, 39 x 21,5 x 2,5 cm, Limoge ceramic, sprayed und glazed, photo: H. N. Semjon

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