Salon Cabinet
29.6. – 28.7.2012

Garden Salon, left side: 3 qm Berlin (Ute Essig), top right: Sag mir wo (Karina Spechter); below: O.T. (3/01/2012) (Susanne Knaack); front right Stitch-Work: FICKT EUSCH ALLEE (Ute Essig), photo: Jürgen Baumann

3 sqm Berlin (antique gold) (Ute Essig), 2005, 300 x 100 x 10 cm Limoge ceramic, glazing (antique gold), stained wood; next right: The Small White (Ute Essig), 2005, 39 x 21,5 x 2,5 cm, Limoge ceramic, sprayed and glazed, photo: Jürgen Baumann

The Small White (Ute Essig), 2005, 39 x 21,5 x 2,5 cm, Limoge ceramic, sprayed and glazed, photo: Jürgen Baumann

Top left: Sag mir wo (Karina Spechter); below: O.T. (3/01/2012) (Susanne Knaack), photo: Jürgen Baumann

O.T. (3/01/2012) (Susanne Knaack), 2012, 150 x 100 cm, acrylic on canvas, photo: Jürgen Baumann

Rear: Green (Royden Watson); below: Gallery edition:Sansovino 6 Indigo Hot Pants (Edward Buchanan); stair wall:Unfolded Moment 1 (Susanne Pomrehn); above edge-gated:Berliner Parkett (Ute Essig); below: Redundant (Katja Kollowa); bronze sculpture: hoi polloi (010) (Michael Kutschbach), photo: Jürgen Baumann

Garden Salon, top left: Green (Royden Watson); right Gallery edition: Sansovino 6 Indigo Hot Pants (Edward Buchanan), photo: Jürgen Baumann

Small Cabinet, left wall: Ohr (Nataly Hocke); right wall, top left:O.T. (#646) (Dirk Rathke); top right: O. T. (114/09) Dittmar Krüger; center bloc, top left drawing: O. T. (Karina Spechter); below photographies: Signes de vie Nr. 13 and 2 (Gerda Schütte); center top, drawing in silver frame: nubigene (009)(Michael Kutschbach); below: Abwesenheitsnotiz (Hermes Payrhuber); right large work (photogram), La face cacheé des choses (Gerda Schütte); left below gallery edition:Gelenkter Zufall Nr. 7/25 and 6/25 Susanne Knaack); next right: Betonfleck (Katja Kollowa); next: Die Existenz des Weißen und Schwarzen Nr. 3 (Takayuki Daikoku), photo: Jürgen Baumann

Top left: O.T. (#646) (Dirk Rathke); top right: O. T. (114/09)Dittmar Krüger; center bloc, top left drawing: O. T. (Karina Spechter); below photographies: Signes de vie Nr. 13 and 2(Gerda Schütte); center top, drawing in silver frame: nubigene (009) (Michael Kutschbach); below: Abwesenheitsnotiz(Hermes Payrhuber); large work right (photogram): La face cacheé des choses (Gerda Schütte); left below gallery edition: Gelenkter Zufall Nr. 7/25 and 6/25 Susanne Knaack); next right: Betonfleck (Katja Kollowa); next: Die Existenz des Weißen und Schwarzen Nr. 3 (Takayuki Daikoku), photo: Jürgen Baumann

O.T. (Karina Spechter), 2012, 29,7 x 20,9 (paper size),graphite on paper, photo: Jürgen Baumann

Les Signes de vie Nr. 2 (Gerda Schütte), 1990, 30,3 x 22,7 (paper size), artist print on Baryt paper, Nr 7/10 (+0), photo: Jürgen Baumann

Les Signes de vie Nr. 13 (Gerda Schütte), 1990, 30,3 x 22,7 (paper size), artist print on Baryt paper, Nr 3/10 (+1), photo: Jürgen Baumann

Top right: O. T. (114/09) Dittmar Krüger; below left: drawing in silver frame: nubigene (009) (Michael Kutschbach); below:Abwesenheitsnotiz (Hermes Payrhuber); large work right (photogram): La face cacheé des choses (Gerda Schütte); bottom left, edge-gated gallery edition: Gelenkter Zufall Nr. 6/25 (Susanne Knaack); next right: Betonfleck (Katja Kollowa); next: Die Existenz des Weißen und Schwarzen Nr. 3 (Takayuki Daikoku); right wall: O. T. (Seestück) (Susanne Knaack), photo: Jürgen Baumann

Center front, marble sculpture: One US Gallon/Whole Milk (Royden Watson); left: Levelling (Schwarz, Weiß, Grau) (Colin Ardlley); behind: O.T. (642) (Dirk Rathke); other wall: Portraits of studs (2 x 4)(Royden Watson); right wall, rear: Revolution Abstraction (middle part of a tryptic) (Susanne Pomrehn); front right: 2 x O. T. (Henrik U. Müller), photo: Jürgen Baumann

Front left, marble sculpture: One US Gallon/Whole Milk (Royden Watson); right, rear: Revolution Abstraction (middle part of a tryptic) (Susanne Pomrehn); more right: 2 x O. T. (Henrik U. Müller); above, edge-gated: Körper II (Katja Kollowa); front right: Miramar (Colin Ardley), photo: Jürgen Baumann

On the wall left: Revolved Nr. 2, Revolved Nr. 3, Revolved Nr. 5 (Susanne Pomrehn); besides above:W.T. (Takayuki Daikoku); below in the corner: Stapel (Ute Essig); on the right wall left: Miramar (L.A.)(Colin Ardley); besides above: The existence of white and black 1, 2 (Takayuki Daikoku); right beneath:Small partition (Ute Essig), photo: Jürgen Baumann

Front, marble sculpture: One US Gallon/Whole Milk (Royden Watson); behind: 2 x O. T. (Henrik U. Müller); above: Körper II (Katja Kollowa); right: Miramar (Colin Ardley), photo: Jürgen Baumann

(Henrik Müller), 2012, 54 x 39 cm, wood, paint, Inkjet prints, adhesive foil, composition gold, photo: Jürgen Baumann

Front left marble sculpture: One US Gallon/Whole Milk (Royden Watson); right, rear: O. T. (2/2010)(Dittmar Krüger); top, next right: Eindringende Finsternis (Karina Spechter); floor piece (porcelain):Stapel (Ute Essig); photography above: O.T. (B) (Michael Holst); front left: Levelling (Schwarz/Weiß/Grau) (Colin Ardley), photo: Jürgen Baumann

Left: O.T. (#646) (Dirk Rathke); 3 x paintings, next right:Portrait of Studs (2 x 4) (Royden Watson); in the rear: O.T. (Seestück) (Susanne Knaack), photo: Jürgen Baumann

Detailed view: Portrait of Studs (2 x 4) (Royden Watson), 2002, 243,9 x 8,9 x 3,8, oil on canvas, photo: Jürgen Baumann

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