Salon Cabinet
24.5. – 23.6. 2012

Installation view Straßen-Salon

Left: Mogambo (Karina Spechter); above: O.T.(#652) (Dirk Rathke); below: Betonfleck (Katja Kollowa); next right: Welterbe (Nataly Hocke); photographs further right: Signes de vie Nr. 16 and Nr. 15 (Gerda Schütte); next larger work: O. T. (Henrik Urs Müller); on pedestal: hoi polloi (005.2) (Michael Kutschbach); behind drawings in silver frame: nubigene 040 and nubigene 009 (Michael Kutschbach), photo: Jürgen Baumann

Signes de vie no. 15 (Gerda Schütte), 1990, 30,3 x 22,7 (paper size), 33 x 26,4 (framed), artist print on baryte paper, no. 3/10 (+3), photo: Jürgen Baumann

Signes de vie no. 16 (Gerda Schütte), 1990, 30,3 x 22,7 (paper size), 33 x 26,4 (framed), artist print on baryte paper, no. 10/10 (+3), photo: Jürgen Baumann

O. T. (Henrik Urs Müller), 2012, 95 x 78 cm, wood, lacquer, inkjet prints, adhesive foil, composition gold, photo: Jürgen Baumann

Edge-gated: hoi polloi (005.2) (Michael Kutschbach); right drawing in silver frame: nubigene 040 (Michael Kutschbach), photo: Jürgen Baumann

Rear: Ascending/ Descending (Colin Ardley); next top: TB 9024/C/1 (Katja Kollowa); bottom:Incline/White Light (Colin Ardley); drawing right after wall offset: O.T. (sc1) and O.T. (sc8) (Takayuki Daikoku); next above: O.T. 114/09 (Dittmar Krüger); top right: Gallery Edition Paintings Gelenkter Zufall (Controlled Accident Nr. 6 + 7/20 (Susanne Knaack); below left: O.T. (Renate Hampke); drawings right:Katzenfrau mit Fisch and O.T. (Karina Spechter), photo: Jürgen Baumann

Edge-gated, left: Ascending/ Descending, bottom right : Incline/White Light (Colin Ardley), photo: Jürgen Baumann

Detailed view: Ascending/ Descending (Colin Ardley), Foto: Jürgen Baumann

Rear: Ascending/ Descending (Colin Ardley); next top: TB 9024/C/1 (Katja Kollowa); bottom: Incline/White Light (Colin Ardley); drawing right after wall offset: O.T. (sc1) and O.T. (sc8) (Takayuki Daikoku); next above: O.T. 114/09 (Dittmar Krüger); right: O.T. (Renate Hampke), photo: Jürgen Baumann

Left drawings: O.T. (sc01 and sc08) (Takayuki Daikoku); above: O.T. 114/09 (Dittmar Krüger); bottom: La face cachées des choses (Gerda Schütte), top right: Gallery Edition Painting Gelenkter Zufall Nr. 6/20 (Susanne Knaack); below: O. T. (Renate Hampke), photo: Jürgen Baumann

O.T. (sc8) (Takayuki Daikoku), 2011, 29,7 x 20,9 cm (paper size), 34,5 x 25,5 cm (framed), graphite on paper, photo: Jürgen Baumann

O.T. (sc1) (Takayuki Daikoku), 2011, 29,7 x 20,9 cm (paper size), 34,5 x 25,5 cm (framed), graphite on paper, photo: Jürgen Baumann

Gallery Edition Painting Gelenkter Zufall /Controlled Accident Nr. 6/20 (Susanne Knaack), 2012, 40 x 30 cm, acrylic paint on hardboard, photo: Jürgen Baumann

Gallery Edition Painting Gelenkter Zufall /Controlled Accident Nr. 7/20 (Susanne Knaack), 2012, 40 x 30 cm, acrylic paint on hardboard, photo: Jürgen Baumann

O.T. (Renate Hampke), 2011, ca. 110 x 45 x 13 cm, Gummi, rubber, metal, used curd soap (from the Collection), photo: Jürgen Baumann

La face cachée des choses, 2004, 50,8 x 40,6 cm (55,1 x 44 cm framed), sandwich artist print from photogram on baryte paper, photo: Jürgen Baumann

Top left: Afrikana (Renate Hampke); next right, from top to bottom: Revolved Nr. 2, 3 and 5 (Susanne Pomrehn); above:O.T. (Takayuki Daikoku); right wall: Miramar (Colin Ardley); bottom: artist porcelain edition Stapel (Ute Essig), photo: Jürgen Baumann

Afrikana (Renate Hampke), 2012, 53 x 72 x 85 cm, carrier, mud guard, cable tie (relics), photo: Jürgen Baumann

Left, from top to bottom: Revolved Nr. 2, 3 and 5 (Susanne Pomrehn); above: O.T. (Takayuki Daikoku); right wall:Miramar (Colin Ardley); below: artist edition (porcelain) Stapel(Ute Essig); next right: Die Existenz des Schwarzen und des Weißen 1 and 2 (Takayuki Daikoku); below: Kleiner Verschlag (Ute Essig), photo: Jürgen Baumann

Artist edition Stapel (Ute Essig), 2009, size variable, (29 pieces), porcelain, artist edition of 22 (+3), photo: Jürgen Baumann

Above: Die Existenz des Schwarzen und des Weißen 1 und 2 (Takayuki Daikoku); followed beneath: Kleiner Verschlag (Ute Essig); right wall: O. T. (4/08/2012) (Susanne Knaack); in the corner: Verbesserung (Katja Kollowa), photo: Jürgen Baumann

The existence of White and Black 1 (Takayuki Daikoku), 2012, ca. 30 x 20 cm, canvas on cardboard, arcylic paint, photo: Jürgen Baumann

The existence of White and Black 2 (Takayuki Daikoku), 2012, ca. 30 x 20 cm, canvas on cardboard, arcylic paint, photo: Jürgen Baumann

0.T. (4/08/2012) (Susanne Knaack), 2012, 100 x 80 cm, acrylic paint on canvas, photo: Jürgen Baumann

Left on pedestal: Iro (Katja Kollowa); wall: W.T. 1/2012(Dittmar Krüger); window wall: W.T. 3/2012 (Dittmar Krüger); corner, bottom: Falscher Hase (Renate Hampke), photo: Jürgen Baumann

Iro (Katja Kollowa), detail, 2011, 128 x 30 x 27 cm, plaster, cement, concrete, pigment, plastic rubbish, stone sheet, photo: Jürgen Baumann

Over/Under (Royden Watson), 2010, 71 x 71 cm, oil on plywood, photo: Jürgen Baumann

Matrix, 2006, 70 x 50 cm (paper size), 72,9 x 52,9 cm (framed), silkscreen print, mono print, photo: Jürgen Baumann

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